Constructed from scanning electron microscopy, the artwork is an image of a landscape seemingly belonging to the macrocosm of the observer, but in actuality is a part of the microcosm of the observed.
The artwork reflects and contemplates on the finitude of ‘reality’ perceived by humans. Such ‘reality’ is inevitably determined based on said perception, which means that they do not preexist before the observation processes, but rather produced from the process of observation, by the entanglement between the observer, the observing device, and the observed object. In the act of observation, the observing subject better understands himself and the reality in which both participate.